
Published in October 2012 by Profile Books
Pages - 153
Book borrowed from the library.
An autumn night and the fens stretch for miles, open and still. It is dark, until the full moon slides from behind a cloud and over the huddle of grey stone which is Iyot Lock. The hamlet straddles a cross roads between flat field , with its squat church on the east side, hard by Iyot House and the graveyard in between.
Goodreads Summary
The remoter parts of the English Fens are forlorn, lost and damp even in the height of summer. At Iyot Lock, a large decaying house, two young cousins, Leonora and Edward are parked for the summer with their ageing spinster aunt and her cruel housekeeper. At first the unpleasantness and petty meannesses appear simply spiteful, calculated to destroy Edward's equanimity. But when spoilt Leonora is not given the birthday present of a specific dolly that she wants, affairs inexorably take a much darker turn with terrifying, life destroying, consequences for everyone.
*******
I had such
high expectations from this book as I love the way Susan Hill makes my nerves
rattle in fright. The language and descriptions are always so atmospheric; you
literally have to clear the darkening fog that settles over you while you read with your trembling
fingers. Normally I can guarantee that her words will scare me, but
unfortunately Dolly didn’t frighten me one little bit.
I think my
biggest problem with this book was the lack of explanation. We are in the
presence of a seriously spooky doll that has been ill-treated, yet we never
discover why this doll became the horror it did, we are left only to assume
what brought this terror to life. Dolls don’t normally come to life when thrown
out of prams, so what was so special about this one?
The scene
setting cannot be faulted. Susan Hill knows how to bring eeriness and horror to
life. Her characters are well thought out and believable. The story jumps
backwards and forwards in time from when Edward and Leonora were very young to
the present day, so you get a clear indication of their character development. In this book, Leonora is the child from hell
and doesn’t diffuse any of her evilness in adult hood. Her actions are embedded in her
selfish, spoilt nature brought on by a mother who doesn’t really care. The main
character Edward is a well behaved boy who accepts whatever life throws at him –
he was orphaned at a very young age and has learnt to live in harmony with
gratitude. As an adult he is a rather sweet and generous character, happy to do the right thing.
Unfortunately
there was something very similar about this book to her previous novellas. I
can’t quite put my finger on it, but as I said on previous reviews of her books
there is a feeling of writing to formula.
Having said
that I do think she is a very talented writer who knows how to grip a reader
with her gothic style atmospheric settings.
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