Friday 30 August 2013

Angela Nicely by Alan MacDonald and David Roberts

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It was nine o'clock on Monday morning. Angela sat in the hall next to Laura and Maisie. They were waiting for assembly to start.
Summary from Little Tiger
From the world of Dirty Bertie comes a new star! A brand new series from David Roberts, creator of Dirty Bertie, Angela Nicely is already well known to Bertie's fans. Angela might look like she’s made of sugar and spice and all things nice, but nothing could be further from the truth!
Angela knows best! Whether it’s trying to succeed as a top model, proving that her head teacher wears a wig, or finding herself out of her depth on a spa weekend, she’s determined to make a splash! Angela Nicely is the first book in this fantastically mischievous series. Perfect for little girls who are fans of Dirty Bertie.
*****
Review by Liss Norton
What a hoot! This book made me laugh out loud. Irrepressible Angela Nicely is a girl who knows she's right – about everything! As her long-suffering friends and parents get dragged into her wild schemes, often with dire consequences, Angela somehow manages to bounce back from disappointment and disaster. 
There are three stories in the book. In the first, Angela tries to prove that her headteacher is wearing a wig, in the second she attempts to outdo her arch-rival and in the third she goes on a horrible health holiday with Mum. Each story is broken down into four chapters. The stories are illustrated with line drawings on nearly every double page, and written in sentences short enough to make this a good choice for children starting to develop reading stamina. The droll writing style and the characterization reminded me of Horrid Henry, and made me laugh just as much. I can imagine the bedtime giggles as children read a chapter or two before going to sleep…
A brilliant read for girls aged around six to eight.

Thursday 29 August 2013

The Other Typist by Suzanne Rindell

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They said the typewriter would unsex us.
   One look at the device itself and you might understand how they – the self-appointed keepers of female virtue and morality, that is – might have reached such a conclusion.  Your average typewriter, be it Underwood, Royal, Remington, or Corona, is a stern thing, full of gravity, its boxy angles coming straight to the point, with no trace of curvaceous tomfoolery or feminine whimsy. Add to that the sheer violence of its iron arms, thwacking away at the page with unforgiving force.  Unforgiving.  Yes; forgiving is not the typewriter’s duty.
   I don’t suppose I know much about the business of forgiveness, either, as my job ha so much to do with the other end of it.  Confessions, I mean.  Not that I extract them – that is for the Sergeant to do.  Or for the Lieutenant Detective to do.  But it is not for me to do.  Mine is a silent job.  Silent, that is, unless you consider the gunshot clacking of the typewriter that sits before me as I transcribe from a roll of stenotype paper.  But even then I am not the originator of this ruckus, as after all, I am only a woman – a phenomenon the Sergeant seems to observe only as we are exiting the interrogation room, when he touches my shoulder gently and says with great and solemn dignity, “I am sorry, Rose, that as a lady you must hear such things.”  He means the rape, the robbery, whatever it is we have just heard confessed.  At our precinct, located in the borough of Manhattan in what is known as the Lower East Side, we are rarely left wanting for more crimes to hear.
Published by Fig Tree  on the 23rd May 2013
368 pages
Book Summary
New York City, 1924: the height of Prohibition and the whole city swims in bathtub gin.
   Rose Baker is an orphaned young woman working for her bread as a typist in a police precinct on the Lower East Side.  Every day Rose transcribes the confessions of the gangsters and murderers that pass through the precint.  While she may disapprove of the details, she prides herself on typing up the goriest of crimes without batting an eyelid.
But when the captivating Odalie begins work at the precinct Rose finds herself falling under the new typist’s spell.  As do her bosses, the buttoned up Lieutenant Detective and the fatherly Sergeant. As the two girls’ friendship blossoms and they flit between the sparkling underworld of speakeasies by night, and their work at the precinct by day, it is not long before Rose’s fascination for her new colleague turns to obsession.
But just who is the real Odalie, and how far will Rose go to find out?
******
Suzanne Rindell’s debut novel is a mix of The Great Gatsby combined with the thriller elements of Alfred Hitchcock and Patricia Highsmith, which transport you to America in the 1920s.  The First World War has just ended and the 20somethings are living it up.  However, the Volstead Act, introduced in 1920, to control the production, importation
and distribution of intoxicating beverages, intends to stop this. As a result the criminal underworld latches on to it, and the world of the speakeasy emerges - secret bars to consume prohibited drinks.  
Rose Baker is a well-brought up, straight-laced girl.  Raised by nuns, she wouldn’t dream of visiting a speakeasy, or of even consuming a drink.  That is, until she meets the other typist, the glamorous, flirtatious Odalie.  Determined from the start to dislike her flamboyant ways, Rose is soon drawn to Odalie, and a friendship quickly develops which takes Rose to places she has never dreamed of.  But how much control does Rose actually have over the situation.  Is Odalie really all she seems?
From the beautiful cover, embossed with typewritten font, this book is a steady-paced but well written story right from the start.  Rindell manages to bring America in the 1920s to life, especially the environment of the police precinct, and that characters that both work there, and are brought there.  I loved The Other Typist with its contrast of glamour and seediness and think this could be an ideal book for group discussion.   

Wednesday 28 August 2013

Mariella Mystery Investigates:The Ghostly Guinea Pig by Kate Pankhurst

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THIS YOUNG SUPER SLEUTH JOURNAL BELONGS TO …
MARIELLA MYSTERY: (That's me!) Totally amazing girl detective, aged nine and a bit. Able to solve the most mysterious mysteries and perplexing problems, even before breakfast.
Published by Orion Children's Books
Book Summary
When their teacher Miss Crumble spots the ghost of her pet guinea pig, Mr Darcy, in her back garden, she doesn't know what to think. But Mariella knows it's up to her and her fellow Mystery Girls to get to the bottom of The Case of the Ghostly Guinea Pig.
*****
Review by Liss Norton
When I first read this book I didn't like it much. The story is slow to get going, with far too much background information about how to be a detective and about Mariella's family. I felt it would have been better to introduce the mystery much sooner, rather than telling the reader things they don't really need to know, such as the fact that Mariella's mum reads detective stories or how to set up a detective headquarters. This vague sense of dissatisfaction stayed with me for much of the book – even though the relationship between Mariella and her annoying little brother Arthur made me laugh at times – and it increased massively when I came to the information pages that are embedded in the story. These include, amongst others, 'How to Draw an Artist's Impression' and 'Guinea Pig Facts'. They break up the flow of the story and slow the pace. 
However, after a gap of a couple of weeks, I re-read the book and although I still found the long introduction and the information pages trying, I thought the rest of it was much more enjoyable. I particularly liked the rather understated humour as the characters came to life and now I knew the ending I spotted a few clues buried in the text that I'd overlooked the first time around. Does this mean that they are too well-hidden for young readers to pick up on? Possibly, but I think someone reading the whole series would soon become adept at spotting them. 
The book will appeal to girls aged seven to nine. It is full of line drawings and is divided into diary entries, some of them so long that they're no different to the narratives of non-diary stories, and those pages of information. I felt that I was being lectured when I came to these; my overwhelming urge was to skip them and I had to force myself to plough through them as this wouldn't be an honest review if I hadn't read from cover to cover. The many drawings might fool parents into thinking this book is suitable for children who aren't yet fully fluent at reading but the vocabulary is quite sophisticated at times so I don't think this is the case.
The book's plot and characters are zany enough to suit the target age range but I definitely wouldn't put it in my top-twenty-best-books-of-the-year list. However, if those information pages were left out, I think it might just make the top forty.

Tuesday 27 August 2013

The Sleeper by Emily Barr

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She should have been back two hours ago.
   A person could not disappear from a train in the middle of the night, but apparently, she had.  She got on at Paddington (as far as we knew), but she did not get off at Truro.
   ‘I’m sure she’s fine,’ I told him.  My words hung in the air, improbable and trite.  I cast around for an explanation.  Once you discounted amnesia and sleepwalking, there were really only two, and neither of them would give her husband any comfort.
   ‘I hope so.’  His face was crumpled and his eyes seemed to have shrunk back under slightly hooded lids.  Everything was sagging as, gradually, he stopped being able to pretend that she might be about to walk in through the door.  His face was, somehow, at once both red and grey, patchy and uneven.
Published by Headline on 4th July 2013
416 pages
Book Summary
Lara Finch is living a lie.  Everyone thinks she has a happy life in Cornwall, married to the devoted Sam, but in fact she is desperately bored.  When she is offered a new job that involves commuting to London by sleeper train, she meets Guy and starts an illicit affair.
But then Lara vanishes from the night train without a trace.  Only her friend Iris disbelieves the official version of events, and sets out to find her.
For Iris, it is the start of a voyage that will take her further than she’s ever travelled and on to a trail of old crimes and dark secrets.
For Lara, it is the end of a journey that started a long time ago.  A journey she must finish, before it destroys her….
*****
With twelve novels under her belt already, Emily Barr enters the world of the commuter with her novel of strangers on the night train travelling from sleepy Cornwall to the busy city of London.  Lara has given up her city job to move south to focus on her marriage and having a baby.  With failed IVF treatments behind her, and a host of bills to pay, Lara accepts a temporary position in London that means she will have to take the sleeper train to London every Sunday, returning in the early hours of Saturday morning.  Little
do either her, or her husband Sam realise what this will entail.  While Sam is pining away for her, Lara has created a new life for herself, one that now involves Guy, a married man who she meets on the train.  In love, and determined to tell their partners about their relationship, Lara and Guy make what is to be their final return journey to Cornwall.  But then tragedy strikes and none of their lives will ever be the same again.
Having discovered Emily Barr shortly after her first novel Backpack was published, and having read every one since, it was probably inevitable that I enjoyed this latest book.  Actually I loved it; the characters, the way she describes Falmouth, her current hometown, with such detail and of this incredible world of the sleeper train, for it is in itself like entering a different world.  The twists and turns that are incorporated into her writing, plus the inevitable element of travel are what make Emily Barr’s novels distinctively her own.  She is a seasoned traveller, and this is by all means apparent when reading any of her books.  
The Sleeper is an easy read but that’s because it is a real page-turner.  I read it in just two days and couldn’t get enough of it.  I loved the character of Iris, Lara’s only friend in Cornwall, who lives this reclusive life in a ramshackle cottage with her mysterious boyfriend, and that of Olivia, Lara’s sister, who is the polar-opposite of her, and harbours a deep hatred of her sibling.  I challenge you to read The Sleeper this summer and not to gasp out loud as the twists and turns of the tale are slowly wrapped together, as I did!

Monday 26 August 2013

Goblin Secrets by William Alexander

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Rownie woke when Graba knocked on the ceiling from the other side. Plaster dust drifted down from the knocking. Graba knocked again. Baskets hung on chains from the rafters and they shook when she knocked.
Published by Much-in-Little July 2013
223 pages in paperback
Summary from Goblin Secrets website
Rownie, the youngest in Graba the witchworker's household of stray children, escapes and goes looking for his missing brother. Along the way he falls in with a troupe of theatrical goblins and learns the secret origins of masks. Now Graba's birds are hunting him in the Southside of Zombay, the Lord Mayor's guards are searching for him in Northside, and the River between them is getting angry. The city needs saving — and only the goblins know how.
Goblin Secrets is the 2012 National Book Award Winner for Young People's Literature (USA)
*****
The UK edition of Goblin Secrets has a cartoon-like cover with a dark and ominous steam train, some illuminated clock faces and a very worried-looking boy. He is our hero, Rownie – and he has every right to be nervous.
The text is set out like a play – there are acts and scenes and even curtains – and acting is a key element of the story. It takes place in an extraordinary world – where plays are forbidden; dustfish and travelling goblins are normal and where a boy can be looked after by a witch with wind-up legs. Graba – a cross between Baba Yaga and Fagin - is not his only worry.
His missing brother is high on his list. Add in a deranged Mayor with his mechanical guards and things get really interesting.
Alexander uses imaginative language: molekeys, naga, and guzzards for example, and gives many characters distinctive ways of speaking. There’s a hint of steampunk in this adventure story of a boy seeking his brother – and subtle touch of philosophy too. It’s a rich and intriguing mix that would suit confident readers from seven and above - I would recommend it for both boys and girls, as there are plenty of well-drawn female characters.
There is some peril, some sad and poignant moments and a hopeful resolution – which leaves plenty of opportunity for more adventures. Readers who love the world of Zombay will also enjoy the bonus extract from another story set there; Ghoulish Song.

Friday 23 August 2013

The Ocean At The End Of The Lane by Neil Gaiman

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It was only a duckpond, out at the back of the farm.  It wasn’t very big.
   Lettie Hempstock said it was an ocean, but I knew that was silly.  She said they’d come here across the ocean from the old country.
   Her mother said that Lettie didn’t remember properly, and it was a long time ago, and anyway, the old country had sunk.
   Old Mrs Hempstock, Lettie’s grandmother, said they were both wrong, and that the place that had sunk wasn’t the really old country.  She said she could remember the really old country.
   She said the really old country had blown up.
Published by Headline on 18th June 2013
256 pages
Book Summary
It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed.  Dark creatures from beyond this world are on the loose, and it will take everything our narrator has just to stay alive: there is a primal horror here, and menace unleashed – within his family and from the forces that have gathered to destroy it.
His only defence is three women, on a farm at the end of the lane.  The youngest of them claims that her duckpond is an ocean.  The oldest can remember the Big Bang.
******
Review by Georgina Tranter
Neil Gaiman has constructed a grown-up fairy tale with his latest novel The Ocean at the End of the Lane.  When our nameless narrator finds himself outside his childhood home, on his way to a funeral, he is surprised to notice that the inhabitants of forty years before are still there, and haven’t changed a bit.  But then, they always did seem a bit strange, especially Hettie Lempstock, his childhood friend who has been eleven forever.
When an opal miner is found dead at the end of the lane, the narrator meets the Hempstock family, three women who live in the farmhouse there.  They seem to have powers that other people don’t possess.  When the villagers mysteriously start receiving money, the narrator and Lettie realise that the opal miner’s death has started something otherworldly and needs to be stopped.  Unfortunately they release it into this world, with potentially horrifying consequences.  Can the narrator, a child of seven, and this mysterious girl, with a duck pond for an ocean, return things to normal?
I was gripped by Neil Gaiman’s short, but enjoyable tome.  It’s a fantasy but at the same time, believable and very well told.  I loved the Hempstock family, with their quirky powers, and in particular Lettie.  This is a book about returning to your childhood, but not a book for children.  Despite its length, it manages to be powerful, gripping and magical. 
The Ocean at the End of the Lane transported me to another time and place, and I loved it.

Thursday 22 August 2013

The Write Way with Jonathan Stroud

As part of the Lockwood and Co blog tour, I am pleased to welcome Jonathan Stroud onto the blog to let us into all his writing secrets!
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1. The first book in your new series, Lockwood and Co., is about to be published. How do you feel bringing a new series to the world after so much success with the Bartimaeus Trilogy?
There’s always a feeling of special excitement at the start of something new. The prospect of a new series offers so much potential – you feel as if it might accomplish anything. I already know roughly the direction the story is headed, but I don’t know how it’s going to get there. It’s like seeing a distant hill across a vast blue evening plain: the roads below and the lands you’ll cross to get to it are invisible, which makes the journey all the more enticing. I hope my readers will agree! In some ways Lockwood is quite different from my Bartimaeus books, but I think fans will find a lot to enjoy here too.
2. Rick Riordan, author of the Percy Jackson books, is highly recommending your book to all of his readers. When you found out, what was your reaction?
Rick is a fine writer and a lovely guy, and I hold his opinion in the highest regard, so I was thrilled. In fact I danced a hornpipe of joy in the privacy of my own home.
3. Can you tell my readers a little bit about Lockwood and Co?
The story’s set in London, in an alternative present-day. It’s very similar to our own world, except that for 50 years there’s been an escalating epidemic of ghosts across the British Isles. This epidemic is euphemistically known as the Problem. Adults can’t detect ghosts easily at all, which is unfortunate because some of the spectres are aggressive and hungry for human contact. Ghost-touch is usually fatal. A large  number of psychic agencies have sprung up to deal with the epidemic, all relying on the talents of children. Lockwood & Co. is the smallest agency in the capital, with precisely three agents: the swashbuckling Anthony Lockwood, the sarcastic but dependable George Cubbins, and Lucy Carlyle, the newest member, who tells the story. When a job goes horribly wrong, they have a single chance of redemption, which unfortunately involves visiting the most haunted house in England, and trying to survive.
4. Having listened to you talk about your book at the Random House Blogger Brunch, I get the impression you spend a great deal of time on the detailed background of your characters. How much of this appears in the book or do you keep it back for your own knowledge of the characters?
Some things I put in straight away. There’s a lot about Lucy’s background in the first book, for instance, but I keep back almost everything about Lockwood and George. A few hints are always good to throw in, of course, but I like withholding things too. Mainly this is down to plot reasons; it’s good to have surprises in store. But it’s also because I’m still uncovering information about my characters myself. As you write, you discover things – it’s like being in conversation with someone, and slowly getting to know them well. 
5. I thought the cover of The Screaming Staircase was stunning. What are your thoughts on it? Does it capture the tone of the book for you?
I’m glad you love it – I think it’s absolutely superb. It conjures precisely the feel I was after – the old-fashioned adventure, the frightening spookiness, the richness of the world. And it will be noticed across a crowded bookstore, which is always an important bonus!
6. You’ve written for a couple of different age ranges, which age group do you prefer writing for? Is it something you think about when you embark on a new book? 
To be honest, I tend to always write with a dual perspective. It’s always something that entertains me as an adult, and which would ALSO have thrilled me as a kid. I only ever have a rough age in mind. The end result develops from the story and how it needs to be told.
7. Do you find that the writing gets easier or harder with each book you publish? 
A great question! In some ways things are getting easier, in that I’m getting (I hope) better at the basic mechanics of writing. But the flipside is that I’m also more and more conscious of what I’m doing, and this sometimes slows me down. I used to write very freely and instinctively… less so now.
8. What usually comes first – the character, the plot or the idea when starting a new project? 
Usually things begin with a scene – a germ of a set-up. So Lockwood began with two young ghost-hunters walking up to a front door. I didn’t know who they were or anything about them. It came alive through their conversation – their characters began to take shape, and sparked off each other. After that (the final, most cumbrous thing) the plot begins to develop. 
9. Do you write daily and if so do you have a word count that you aim for each day when writing your first draft?
Yes. I write daily, and when in the middle of a book aim for about 25 pages per week (i.e. 5 pages per day; about 2000 words). I rarely, if ever, attain this total, but if I get close (20 pages, for example), I’ll feel content.
10. Do you edit your first draft as you write it or wait until you have finished it? 
It depends. Some scenes are reworked several times. Others are tried and discarded altogether. Some seem great when I first write them, so they survive untouched until the draft is complete. Then I’ll read through and begin altering, where necessary, in more or less chronological order.
11. When you’re touring with your books, how do you find time to write?
I don’t. On my first Amulet tour, I carried my (whopping) manuscript of The Golem’s Eye around the USA for three weeks. It nearly broke my back. I wrote nothing. I since discovered that if you’re doing 2-3 events per day and travelling as well, there’s not much energy left to write. But it does give you good thinking space, and you get to see new places and people to restock your mind vaults, so it’s not redundant time.
12. What Young Adult book have you read and loved recently?
Dead End in Norvelt by Jack Gantos. Wonderfully quirky, funny and astute. I did a panel event with him in New York, and he was all those things in person too.  
13. Is there any non-fiction writing books that you would recommend? 
You mean books about writing? I used to find the Writers and Artists’ Yearbook, and Writer’s Handbook invaluable. I also love essays by writers, which give you insights into style, subject matter and the preoccupations of your fellow scribblers. At random from a long list I’d recommend George Orwell’s Essays and Martin Amis’s Visiting Mrs Nabokov and War Against Cliché. 
14. Do you have any advice for aspiring and unpublished authors? 
My main advice would be: keep enjoying it. If you’re entertained by what you write, there’s a high chance that your readers will like it too. Experiment with style and format, and don’t self-edit too destructively – by which I mean, keep moving and don’t obsess over the same scenes or chapters too long. Find someone you trust to give you clear-headed, unbiased advice. And don’t be distressed if your pieces are rejected. You’re not alone. Every single published writer has been in the same position. Good things will eventually find their way through.
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Lockwood and Co: The Screaming Staircase is published on the 29th of August by Doubleday, an imprint of Random House Children’s Books.
To find out more about Jonathan Stroud:

Wednesday 21 August 2013

The String Diaries by Stephen Lloyd Jones

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It was only when Hannah Wilde reached the farmhouse shortly after midnight that she discovered how much blood her husband had lost.
They had spoken little during the drive to Llyn Gwyr. Hannah concentrated on the road ahead, her vision blurred through rain and tears. Beside her, Nate slumped in the Discovery’s passenger seat, a crooked shadow. She tried to glance over at him as the distance to what they’d left behind increased, but it was impossible to comprehend the full horror of his injuries while they were on the road. Each time she suggested they pull over Nate shook his head and urged her on.
Get to the farmhouse, Hannah. I’ll be OK. I promise.
Published by Headline in July 2013
673 pages in paperback
Summary from Headline
A jumble of entries, written in different hands, different languages, and different times. They tell of a rumour. A shadow. A killer.
The only interest that Oxford Professor Charles Meredith has in the diaries is as a record of Hungarian folklore ... until he comes face to face with a myth.
For Hannah Wilde, the diaries are a survival guide that taught her the three rules she lives by: verify everyone, trust no one, and if in any doubt, run. 
But Hannah knows that if her daughter is ever going to be safe, she will have to stop running and face the terror that has hunted her family for five generations.
And nothing in the diaries can prepare her for that.
********
Reviewed by K. M. Lockwood
The String Diaries is a contemporary supernatural thriller for adults. It opens with two plotlines: one set in the Snowdonia of today and one in 1979 Oxford. More come in as you read along – such as 1873 Hungary – and you wonder how it can all make sense. Each one strand ends with a cliff-hanger- there’s plenty of mystery to keep you going until a violent and dramatic conclusion.
Stephen Lloyd Jones uses a concoction of Hungarian folklore, fast-paced action and gruesome events to make a strong commercial thriller. It’s not unlike faster, more streamlined version of The Historian by Elizabeth Kostova. There are no vampires involved, I’m happy to report.
It will suit you if you like a mix of high family drama with a strong female lead character, academic mystery and ancient evil stalking the innocent. The ideal reader will enjoy precise details such as the time taken to travel between Pozsony and Kesthely by steam train and carriage, and will enjoy being immersed in a great claw-footed bath of a book. You will also need a strong stomach at times.
For those who enjoy the macabre blended with action, this is great value at nearly seven hundred pages. Definitely not for children, though.

Tuesday 20 August 2013

Ruby Redfort – Take Your Last Breath by Lauren Child

 
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The sun flickered on the ocean, cutting bright diamonds of light into the surface of the indigo water.  A three-year-old girl was peering over the side of a sailboat, staring down into the deep.  The only sounds came from her parents’ laughter, the sing-song hum of a man’s voice and the clapping of the waves against the yacht.
   Gradually the sounds became less and less distinct until the girl was quite alone with the ocean.  It seemed to be pulling her, drawing her to it…confiding a secret, almost whispering to her.  
   She barely felt herself fall as she tipped forward and slipped into the soft ink of the sea.
   Down she twisted, her arms, her legs above her like tendrils.  The water felt smooth and perfectly cold; fish darted and silver things whisked by – her breath bubbled up as transparent pearls.
   Then suddenly, like a snap of the fingers, all the fish were gone; it was just the girl in the big wide ocean.
   But she wasn’t quite alone.
   There was something else.
Published by Harper Collins Children’s Books  on 6th June 2013
432 pages
Book Summary
All at sea?  Ok, here’s the lowdown…Ruby Redfort: secret agent, thirteen-year-old kid.  Super-smart, super-cool and not afraid of the water or anything in it.  Sharks?  Cut-throat pirates?  A giant tentacled sea monster?  No problem, buster.  Diving without oxygen, is NOT Ruby’s strong suit.  Can she do it?  There’s only one way to find out…
*******
Reviewed by Georgina Tranter
Ruby Redfort made her first appearance in Lauren Child’s earlier books about Clarice Bean, and due to requests made by children around the globe, she was given her own series.  Take Your Last Breath is the second book.  Ruby is a sassy thirteen year old with a passion for wearing t-shirts with couldn’t care less slogans on them, such as excuse me while I yawn and a nose for spotting the out-of-the-ordinary.  In fact, she is so good at this, she is currently the youngest recruit at Spectrum, a spy agency set up to foil the plots and plans of evil geniuses capable of grand theft, extortion, fraud and murder.  She only heard of Spectrum six weeks ago, and it looks like she’s already on to her second case!
Strange things are happening at sea.  An agent has been found drowned.  Shipping cargo has been confused, unusual marine activity is taking place, and strange sounds have been heard.  But how, what and why?  And are these things connected at all?  Under her guise as a normal thirteen year old, Ruby sets out to solve this mystery, with a little help from her butler Hitch (secret agent) and best friend Clancy.  But can she do so in time?
I think this book is perfect for the 9-12 year old age bracket.  It’s easy to read, with lots of diagrams and puzzles to try to work out (the answers to the clues are given at the end) and most importantly, it’s fun.  I loved this book and am looking forward to the next Ruby Redfort adventure!  

Monday 19 August 2013

Gemini Rising by Eleanor Wood

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Have you ever met anyone who’s technicolour? I mean, like really in glorious technicolour, so that they make the rest of the world look black and white, and you suddenly realise what you’ve been missing all your life?
Published by Carina on June 7th 2013
Goodreads Summary
How far would you go to fit in? Sorana Salem is ok with being not quite bottom of the pile at her exclusive private school. Until the mysterious Johansson twins arrive unexpectedly mid-term. Hypnotically beautiful and immensely cool, magnetic Elyse and mute Melanie aren’t like the school’s usual identikit mean girls.Soon Sorana’s sharing sleepovers and Saturday nights out with the twins. But their new world of Ouidja boards and older boys might not be as simple as it seems. And the dark secrets that they share could be about to take Sorana down a path that’s impossible to turn back from…
********
This book had an extremely strong opening. Right from the start I was hypnotised by the twins Elyse and Melanie. There was something exciting, yet dangerous about them, that left you feeling a little uncomfortable throughout the book. They reminded me of the twins in Her Fearful Symmetry by Audrey Niffenegger.
  I really liked the main character, Sorana – just like her class mates, she was intrigued by the girls and I hoped as soon as she met them, many questions about them would be answered. Unfortunately, for me, I felt the questions surrounding their mysterious nature were answered a little late. I didn’t feel we got to know much about the girls until the last couple of  chapters and even then I struggled to see the connection between the Gemini star sign, which had played such a major role in the plot to begin with plot. 
Don’t get me wrong, I  did enjoy the story. I felt the characters were well written and intriguing enough that I wanted to know more. However, I did feel the ending let the book down a little, as it felt  disconnected. I also felt the climatic build up fell a little flat when we were then told what happened, rather than actually seeing it all in a dramatic climax. 
If I’m honest, I’d say that with a little more editing, this story could’ve been amazing. It had that mysterious about it which made you want to read more. I would definitely read more by this author in the future, as I am pretty sure Eleanor Woods has a lot more to give.

Sunday 18 August 2013

Fracture Blog Tour – Exclusive Short Story

To celebrate publication of Fracture, the third book in the Night School series. CJ Daugherty has written a short story especially for the blog tour. The story is set during the first ball that Allie goes to at the end of her first term at Cimmeria, so time wise it fits in with the end of book one in the series. The story is written from Carter’s point of view of what happens that night. If you missed yesterday’s section of the story, then please click here. The following section is part four of the story.
 
Part Four
Jules smiled and instantly took charge. ‘I’ll go up now. You wait five minutes then follow me. It wouldn’t be good for people to see us going up the stairs together. They won’t notice us apart.’
Boys weren’t allowed in the girls’ dorm but Jules was prefect. She knew how to get around The Rules better than anyone.
After she’d disappeared into the crowd, Carter grabbed another glass of champagne and strolled around the room. Five minutes seemed to take forever to pass.
Now that he’d made up his mind he wanted to be there. With her. 
Nearby, Sylvain had joined his parents – Carter’s gaze flitted past them to the dance floor. As he watched, Jo swirled by in a sexy silver mini-dress only she could carry off. She’d dyed her hair bright pink. 
Just looking at her made Carter smile. Jo was like human sunshine. He’d have to remember to tell her later how cool she looked.  
Allie was nowhere to be seen, and he was glad. 
Maybe she hadn’t come. He knew she’d tried to get Isabelle to cancel the whole event. 
Turning, he weaved a little, stumbling against a chair before he caught himself. He was starting to feel lightheaded – he hadn’t eaten anything since lunch and had just had … how many glasses of champagne?
He needed food.
With effort, he made his way through the throngs to the space where tables were piled high with food. Without really looking at what he chose, he filled a plate with hors d’oeuvres. 
Leaning against a wall he ate quickly, watching the dance from a safe distance. 
He’d been part of Cimmeria all his life – had hidden at the top of the stairs as a small boy to watch the glamorous set below – but never felt a true part of events like these. With no parents to accompany him, no connection to these people at all aside from Cimmeria itself, he was at once one of them and nothing like them at all.
When he finished, he set the empty plate down on a passing waiter’s tray and glanced at his watch. Time to go.
A lock of dark hair fell forward and he pushed it back as he straightened.
That was when he saw her.
In a dark blue dress that perfectly suited her figure, Allie moved slowly through the crowd like a disconsolate starlet. Her hair poured in vivid red waves down her back. She stood out like a warning light. 
Carter’s heart seemed to stop. He stared at her, captivated. 
She and Jo must have coloured their hair together, he realised, as a thing.
But, while Jo had seemed giddy, beneath the colourful waves of hair Allie’s face looked pale, unhappy. 
He fought an instinctive urge to go to her, to find out what was wrong. To fix it.
She wasn’t his to fix anymore. And besides, Jules was waiting …
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If you want to continue reading the story, then pop over to Andrew’s blog, The Pewter Wolf tomorrow to read more.
Fracture by C.J. Daugherty was published on the 15th August by Atom Books and is available to buy right now.
To find out more about C.J. Daugherty:

Saturday 17 August 2013

Ink by Amanda Sun

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I made it half way across the courtyard before I realised I was still wearing my school slippers.  No lie.  I had to turn around and slink all the way back to the genkan, the stiff led laughs from my classmates trailing me as I mustered what slippered dignity I could.
God, way to scream foreigner.  You’d think after a couple of weeks I’d have the routine down, but no.  I’d gone into that mode again, the one where I forgot everything for a minute and walked dazed through the sounds of the Japanese being spoken around me, not fully comprehending that it wasn’t English, that I was on the other side of the world.  That mum was...
*  *  *
Published by MIRA Ink in July 2013
332 pages
Book Summary
On the heels of a family tragedy, Katie Greene must move halfway across the world. Stuck with her aunt in Shizuoka, Japan, Katie feels lost. Alone. She doesn’t know the language, she can barely hold a pair of chopsticks, and she can’t seem to get the hang of taking her shoes off whenever she enters a building. When Katie meets aloof but gorgeous Tomohiro, the star of the school’s kendo team, she is intrigued by him... and a little scared. His tough attitude seems meant to keep her at a distance, and when they’re near each other, strange things happen. Pens explode. Ink drips from nowhere. And unless Katie is seeing things, drawings come to life. Somehow Tomo is connected to the kami, powerful ancient beings who once ruled Japan—and as feelings develop between Katie and Tomo, things begin to spiral out of control. The wrong people are starting to ask questions, and if they discover the truth, no one will be safe.
*  *  *
Reviewed by Caroline Hodges
There’s a lot to like in this debut novel from Amanda Sun.  As YA novels go, it’s as far from the typical clichés, that sometimes plague the genre, as possible.  Set in Japan, Ink absorbs the reader in the culture – both past and present.  It’s clearly well researched and for those that are interested in Japan, it’s appears to be an accurate representation of life as a student in the country, albeit from a ‘gaijin’ point of view.    
Katie is learning to find her way in this strange place, so unlike her native US, whilst also dealing with the recent death of her mum.  She’s doing well, has made friends, joined some school clubs (tea ceremony anyone?) and is slowly getting used to changing her shoes for slippers when in buildings.  When she meets Tomohiro Yu, the first impression is far from good; a guy who, though star of the school kendo team, also appears to be the classic bad boy – covered in scars and callously dumping his girlfriend.  
Inevitably the story entwines these two, but the lack of “instantaneous love” is refreshing and strangely suited to a novel set in Japan where establishing relationships close enough for touching takes time.  As the story unfolds, Katie unearths Tomo’s inner self and finds someone as broken as she is.  
But this isn’t just a love story.  Tomohiro has a strange power over ink, his drawings coming to life and this power is in high demand by fellow ink-workers and the yakuza alike.  Most of the action, as you might expect in a trilogy, is towards the end but it’s pretty good stuff once you get there.  
Aside from the growing romance between Katie and Tomohiro there’s some nicely detailed relationships, such as that between Katie and the aunt that she’s now living with in Japan – sufficiently awkward at first then blossoming.  I also liked the complex character of Tomohiro’s friend Ishikawa.  
Though it has plenty of good points, I wasn’t blown away by the novel and I think I would have liked to learn in this book a bit more about why (and how on earth!) an American could have such an affect on Tomo’s powers, but I guess as a trilogy, that will likely be addressed later on. However, I think there’s more than enough in Ink to have you anticipating the next instalment.

Friday 16 August 2013

New England Rocks by Christina Courtenay

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Rain Mackenzie became aware of the angry voices long before she opened her eyes. They buzzed in and out of her consciousness like wasps, stinging her with their murmured accusations, which she couldn’t quite understand. She wanted to shout at them to shut up because the shrill tones were hurting her head. Stabbing it like a knife, in fact, every blow more painful than the last. She couldn’t remember ever having a headache this bad before and she wished she could just sink back into oblivion again.
Published by Choc Lit on August 7th 2013
Pages – 202
Goodreads Summary
When Rain Mackenzie is expelled from her British boarding school, she can t believe her bad luck. Not only is she forced to move to New England, USA, she s also sent to the local high school, as a punishment.Rain makes it her mission to dislike everything about Northbrooke High, but what she doesn't t bank on is meeting Jesse Devlin Jesse is the hottest guy Rain s ever seen and he plays guitar in an awesome rock band!There s just one small problem Jesse already has a girlfriend, little miss perfect Amber Lawrence, who looks set to cause trouble as Rain and Jesse grow closer.But, what does it matter? New England sucks anyway, and Rain doesn't t plan on sticking around Does she?
*******
I’ll hold my hands up to being slightly dubious before reading this book as to whether well known historical romance author Christina Courtenay could pull off not only a contemporary book but a Young Adult one at that. From the first couple of paragraphs any doubts I had flew straight out the window because I knew I was going to love this book. I loved it so much I was extremely upset when I’d finished reading it, and impatience has now set in as I wait for more YA offerings from Christina Courtenay. This is the first book in a trilogy, however I get the impression the books will be more companion novels, so they probably won’t need to be read in order.
Rain Mackenzie is a member of the British aristocracy and is shipped off to New England after being caught in bed with her boyfriend while at boarding school. She comes across as moody and brattish to begin with, but  as soon as she meets Jesse, your feelings towards her change. Jesse is officially hot! He is the bad boy from the wrong the side of the tracks and you are desperate for him to sort his love life out and date Rain.  I love the way this book mixes social classes and shows how money doesn’t always result in snobbery.  You would imagine Rain’s family to be rather stuck up as they are rolling in money, but that is so far from the truth – they are warm, caring and take to Jesse quite quickly.
Christina Courtenay writes in a similar fashion to Abbi Glines, only there is substantially less sex involved. The female characters are strong, yet they also show a great deal of vulnerability. The male characters have a bad streak within them, which gets watered down when ever they meet the right girl.  The author knows how to write a good love story and I was rooting for this couple right from the very start.  Add in the rock music element and the story just dazzles you.
If I had to compare it to something, I would say it’s like a reversal of Wild Child starring  Emma Roberts. Instead of the wild American child coming to the UK, the wild English child takes New England by storm.
I really really loved this book and I want to congratulate Christina Courtenay on her Young Adult debut. Also congrats to Choc Lit for publishing an outstanding Young Adult book for their first venture into this genre.

Lost And Found Giveaway

To celebrate this week’s paperback publication of Lost and Found by Tom Winter, I have two copies of the book to give away.
Lost and Found
All you have to do is leave a comment below with your email address included so that we can contact you if you win. UK entrants only. The competition closes on the 23rd August 2013.
Book Summary
It's hard for Carol to admit her failings. Unhappy in her marriage and with a teenage daughter who will barely converse with her, she feels trapped. So she puts pen to paper; well, it seems less daunting than airing her thoughts aloud. She isn't expecting anyone to read her letters, so she doesn't address them. Instead, she marks them with a smiley face and pops them in the post box. Albert's retirement day at Royal Mail looms and he's given one final task; organise the 'lost letters' that have been piling up in a room behind the sorting machine. Amongst the letters addressed to Santa, he arrives at one with a smiley face drawn in place of an address. Albert opens the letter, unaware that in doing so his world would never be the same again

Thursday 15 August 2013

YA From My Youth with Candy Harper

To celebrate the publication of the hilarious book, Have A Little Faith, I am pleased to welcome the author, Candy Harper, onto the blog to discuss the YA books that shaped her youth.
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Looking at my teen book collection, a lot of what I enjoyed seems to fall into three main categories: ballet stories, romance and dystopian. Clearly, as a teen I was hoping to find a boyfriend to perform in Swan Lake with me before we died horribly in a nuclear winter.
BALLET
What’s interesting about the ballet stories are the differences between British and American series. The English Sadler’s Wells series is all about the grind of being a dancer, the sacrifices that must be made, the horror of injury, and the importance of discipline and dedication. Whereas, the American Satin Slippers series is all about who looks hottest in a leotard. Veronica in Sadler’s Wells insists that she is wedded to her art, but the good-looking blondes in Satin Slippers still have plenty of energy for what my Auntie Joyce calls ‘shenanigans’, even after a hard days pirouetting.
BALLETBOOKS
ROMANCE
I liked my romance American. To teen-me there was nothing more glamorous than a girl clipping back her bangs with a barrette and then heading off down the sidewalk to a date at the mall. I borrowed Ten Boy Summer from my big sister. First published in 1984, it was already a bit dated when I was reading it in the mid-90s. For a hot date, Jenny wears a high-necked floral dress ending mid-calf. I’m going to suggest that my daughter wears something similar when she starts dating. My romance reading led me to believe that any swoony business would happen on a beach with a tanned boy called Chip or Brad, so it was a bit of a shock when I had my first kiss with Pasty Dave round the back of Woolworths.
ROMANCE
DYSTOPIAN
Why do teens love dystopias so much? I think teenagers are really good at asking What If? And they’re not afraid to consider the worst possibilities. Adults are less into speculating; they’re always busy and focused on getting things done. When teen-me asked my dad if he thought the world might end tomorrow, he said, ‘I hope not, I’ve booked the car in for a service.’ One of my favourite dystopian books was Brother in the Land, which is about the aftermath of a nuclear bombing and also features a romance (if only Robert Swindells had included a ballet exam, I’d have been in heaven). I particularly loved the fact that it has an unhappy ending. Or at least it did until 2000 when Robert Swindells wrote a new final chapter. Which is a shame because I think it’s really important for young adults to read some stories with unhappy endings. That’s why when I was a teacher I used to occasionally snap shut whatever book we were reading and say, ‘And then they all DIED.’
DYSTOPIAN
I’m sure that the books I read as a teen helped to mould be as an author. At the very least they’ve made me grateful that my publisher has never suggested a cover featuring a cartoon pair of ballet shoes. I haven’t yet finished my love-against-the-odds story set in an American ballet school of death, but I promise you I’m working on it.
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Have A Little Faith is published by Simon and Schuster and available to buy now. To read my review, please click here.



To find out more about Candy Harper:

Wednesday 14 August 2013

Crown of Midnight by Sarah J. Maas

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The shutters swinging in the storm winds were the only sign of her entry. No one had noticed her scaling the garden wall of the darkened manor house, and with the thunder and the gusting wind off the nearby sea, no one heard her as she shimmied up the drainpipe, swung onto the windowsill, and slithered into the second-floor hallway.
Published by Bloomsbury Children’s Books in August 15th 2013
Goodreads Summary
Eighteen-year-old Celaena Sardothien is bold, daring and beautiful – the perfect seductress and the greatest assassin her world has ever known. But though she won the King’s contest and became his champion, Celaena has been granted neither her liberty nor the freedom to follow her heart. The slavery of the suffocating salt mines of Endovier that scarred her past is nothing compared to a life bound to her darkest enemy, a king whose rule is so dark and evil it is near impossible to defy. Celaena faces a choice that is tearing her heart to pieces: kill in cold blood for a man she hates, or risk sentencing those she loves to death. Celaena must decide what she will fight for: survival, love or the future of a kingdom. Because an assassin cannot have it all . . . And trying to may just destroy her.
******
When the book started off a little slow and seemed to spend ages developing the romance between Celaena and Chaol, I was worried. I kept thinking that the book would sink like all the other second books in  a series, after catching the highly contagious ‘Second Book Syndrome.’ However out of nowhere, the author completely smashed it and I came away loving this book even more than the first! This is now officially the best second book in a series EVER!
I love Celaena dearly. She is one of the strongest female characters I have ever come across and in this book we actually discover why she is so tough. The book fits neatly into two halves with each showing a contrasting side of Celaena’s personality.  In the first half  we get to see a lot more of her softer side as her romantic feelings develop. Her relationship with Chaol, the Captain of the Guard, really surprised me. He had always appeared so cold and tough with Celaena, during the first book, that it was really rather refreshing to see a softer side of him appear. In the second half of the book, the nastier, ice cold side of Celaena comes back with a vengeance as she emotionally explodes after some very dramatic events.
What I really love about this author’s book is that she isn’t afraid to completely transform the character’s life. Right from the first novella, we have been through some quite traumatic life changes with Celaena, and with each one you see how it makes her even stronger. At the end of this book, you come away thinking Celaena is about to embark on a whole new situation.
The ending was outstanding. The second half of the book was just so fast and furious, I barely had time to breathe.  The information that was revealed in the last chapter took the book to a whole new level! I was so shocked by what we learn at the end. An almighty ending to pull the rug from beneath you.
This is a truly outstanding second novel where we get a better insight into the reasons motivating our favourite heroine. I honestly can’t wait for the next book to find out what happens next.

Tuesday 13 August 2013

Severed Heads, Broken Hearts Extract

As part of the Severed Heads, Broken Hearts blog tour, I have an extract from the book which should give you a feel of how wonderful it really is!
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Chapter One
Sometimes I think that everyone has a tragedy waiting for them, that the people buying milk in their pajamas or picking their noses at stoplights could be only moments away from disaster. That everyone’s life, no matter how unremarkable, has a moment when it will become extraordinary—a single encounter after which everything that really matters will happen.
My friend Toby came down with a bad case of tragedy the week before we started seventh grade at Westlake Middle School. We were fanatical about Ping-Pong that summer, playing it barefoot in his backyard with aspirations toward some sort of world championship. I was the better player, because my parents had forced me into private tennis lessons ever since I’d been given my own fork at the dinner table. But sometimes, out of a sense of friendship, I let Toby win. It was a game for me, figuring out how to lose just convincingly enough that he wouldn’t figure I was doing it on purpose. And so, while he practiced for the mythical Ping-Pong world championship, I practiced a quiet, well-meaning type of anarchy toward my father’s conviction that winning was what mattered in life.
Even though Toby and I were the kind of best friends who rarely sought the company of other boys our age, his mother insisted on a birthday party, perhaps to insure his popularity in middle school—a popularity we had not enjoyed in elementary school.
She sent out Pirates of the Caribbean-themed invitations to a half dozen kids in our year with whom Toby and I shared a collective disinterest in socializing, and she took us all to Disneyland in the world’s filthiest burgundy minivan the last Tuesday of the summer.
We lived only twenty minutes’ drive south of Disneyland, and the magic of the place was well worn off by the end of sixth grade. We knew exactly which rides were good, and which
were a waste of time. When Mrs. Ellicott suggested a visit to the Enchanted Tiki Room, the idea was met with such collective derision that you would have thought she’d told us to get lunch from the Pizza Port salad bar. In the end, the first—and only—ride we went on was the Thunder Mountain Railroad.
Toby and I chose the back row of the roller coaster, which everyone knows is the fastest. The rest of the birthday party was fighting for the front row, because, even though the back is the fastest, the front is inexplicably more popular. And so Toby and I wound up divided from the rest of the party by a sea of eager Disneyland guests.
I suppose I remember that day with such enormous clarity because of what happened. Do you know those signs they have in the lines at theme parks, with those thick black lines where you have to be at least that tall to ride? Those signs also have a lot of stupid warnings, about how pregnant ladies or people with heart conditions shouldn’t go on roller coasters, and you have to stow your backpacks, and everyone must stay seated at all times.
Well, it turns out those signs aren’t so useless after all. There was this family directly in front of us, Japanese tourists with Mickey Mouse hats that had their names embroidered on the backs. As Toby and I sat there with the wind in our faces and the roller coaster rumbling so loudly over the rickety tracks that you could barely hear yourself scream, one of the boys in front of us stood up defiantly in his seat. He was laughing, and holding the Mickey Mouse hat onto his head, when the coaster raced into a low-ceilinged tunnel.
The news reports said that a fourteen-year-old boy from Japan was decapitated on the Thunder Mountain Railroad when he disregarded the posted safety warnings. What the news reports didn’t say was how the kid’s head sailed backward in its mouse-ear hat like some sort of grotesque helicopter, and how Toby Ellicott, on his twelfth birthday, caught the severed head and held onto it in shock for the duration of the ride.
There’s no graceful way to recover from something like that, no magic response to the “getting head” jokes that everyone threw in Toby’s direction in the hallways of Westlake Middle School. Toby’s tragedy was the seat he chose on a roller-coaster ride on his twelfth birthday, and ever since, he has lived in the shadow of what happened.
It could have easily been me. If our seats had been reversed, or the kids in front of us had swapped places in line at the last minute, that head could have been my undoing rather than Toby’s. I thought about it sometimes, as we drifted apart over the years, as Toby faded into obscurity and I became an inexplicable social success. Throughout middle and high school, my succession of girlfriends would laugh and wrinkle their noses. “Didn’t you used to be friends with that kid?” they’d ask. “You know, the one who caught the severed head on the Disneyland ride?”
“We’re still friends,” I’d say, but that wasn’t really true. We were still friendly enough and occasionally chatted online, but our friendship had somehow been decapitated that summer. Like the kid who’d sat in front of us on that fateful roller coaster, there was no weight on my shoulders.
Sorry. That was horrible of me. But honestly, it’s been long enough since the seventh grade that the whole thing feels like a horrifying story I once heard. Because that tragedy belongs to Toby, and he has lived stoically in its aftermath while I escaped relatively unscathed.
My own tragedy held out. It waited to strike until I was so used to my good-enough life in an unexceptional suburb that I’d stopped waiting for anything interesting to happen. Which is why, when my personal tragedy finally found me, it was nearly too late. I had just turned seventeen, was embarrassingly popular, earned good grades, and was threatening to become eternally unextraordinary.
Jonas Beidecker was a guy I knew peripherally, the same way you know if there’s someone sitting in the desk next to you, or a huge van in the left lane. He was on my radar, but barely. It was his party, a house on North Lake with a backyard gazebo full of six packs and hard lemonade. There were tangles of Christmas lights strung across the yard, even though it was prom weekend, and they shimmered in reflection on the murky lake water. The street was haphazard with cars, and I had to park all the way on Windhawk, two blocks over, because I was paranoid about getting a ding.
My girlfriend Charlotte and I had been fighting that afternoon, on the courts after off-season tennis. She’d accused me—let me see if I can get the phrasing exact—of “shirking class presidential responsibilities in regard to the Junior-Senior Luau.” She said it in this particularly snotty way, as though I should have been ashamed. As though her predicted failure of the annual Junior-Senior Luau would galvanize me into calling an emergency SGA meeting that very second.
I was dripping sweat and chugging Gatorade when she’d sauntered onto the court in a strapless dress she’d been hiding beneath a cardigan all day. Mostly, as she talked, I thought about how sexy her bare shoulders looked. I suppose I deserved it when she told me that I sucked sometimes and that she was going to Jonas’s party with her friend Jill, because she just couldn’t deal with me when I was being impossible.
“Isn’t that the definition of impossible?” I’d asked, wiping Gatorade off my chin.
Wrong answer. She’d given one of those little screams that was sort of a growl and flounced away. Which is why I showed up to the party late, and still wearing my mesh tennis shorts because I knew it would antagonize her.
I pocketed my key lanyard and nodded hey to a bunch of people. Because I was the junior class president, and also the captain of our tennis team, it felt like I was constantly nodding hello to people wherever I went, as though life was a stage and I was but a poor tennis player.
Sorry—puns. Sort of my thing, because it puts people at ease, being able to collectively roll their eyes at the guy in charge.
I grabbed a Solo cup I didn’t plan on drinking from and joined the guys from tennis in the backyard. It was the usual crew, and they were all well on their way to being wasted. They greeted me far too enthusiastically, and I endured the back slapping with a good-natured grimace before sitting down on a proffered pool chair.
“Faulkner, you’ve gotta see this!” Evan called, wobbling drunkenly as he stood on top of a planter. He was clutching an electric green pool noodle, trying to give it some heft, while Jimmy knelt on the ground, holding the other end to his face. They were attempting to make a beer funnel out of a foam pool noodle, which should give you an idea of how magnificently drunk they were.
“Pour it already,” Jimmy complained, and the rest of the guys pounded on the patio furniture, drum rolling. I got up and officiated the event, because that was what I did—officiate things. So I stood there with my Solo cup, making some sarcastic speech about how this was one for The Guinness Book of World Records, but only because we were drinking Guinness. It was like a hundred other parties, a hundred other stupid stunts that never worked but at least kept everyone entertained.
The pool noodle funnel predictably failed, with Jimmy and Evan blaming each other, making up ridiculous excuses that had nothing to do with the glaringly poor physics of their whole setup. The conversation turned to the prom after-party—a bunch of us were going in on a suite at the Four Seasons—but I was only half listening. This was one of the last weekends before we’d be the seniors, and I was thinking about what that meant. About how these rituals of prom, the luau, and graduation that we’d watched for years were suddenly personal.
It was slightly cold out, and the girls shivered in their dresses. A couple of tennis-team girlfriends came over and sat down on their boyfriends’ laps. They had their phones out, the way girls do at parties, creating little halos of light around their cupped hands.
“Where’s Charlotte?” one of the girls asked, and it took me a while to realize this question was directed toward me. “Hello? Ezra?”
“Sorry,” I said, running a hand through my hair. “Isn’t she with Jill?”
“No she isn’t,” the girl said. “Jill is completely grounded. She had like this portfolio? On a modelling website? And her parents found it and went crazy because they mistakenly thought it was porn.”
A couple of the guys perked up at the mention of porn, and Jimmy made an obscene gesture with the pool noodle.
“How can you mistakenly think something is porn?” I asked, halfway interested at this turn in the conversation.
“It’s porn if you use a self-timer,” she explained, as though it was obvious.
“Right,” I said, wishing that she’d been smarter, and that her answer had impressed me. 
Everyone laughed and began to joke about porn, but now that I thought about it, I had no idea where Charlotte had gone. I’d assumed I was meeting her at the party, that she was doing what she usually did when we had one of our fights: hanging out with Jill, rolling her eyes at me and acting annoyed from across the room until I went over and apologized profusely. But I hadn’t seen her all night. I pulled out my phone and texted her to see what was going on.
Five minutes later, she still hadn’t replied when Heath, an enormous senior from the football team, sauntered over to our table. He’d stacked his Solo cups, and had about six of them. I suppose he meant it to be impressive, but mostly it just hit me as wasteful.
“Faulkner,” he grunted.
“Yeah?” I said.
He told me to get up, and I shrugged and followed him over to the little slope of dirt near the lake.
“You should go upstairs,” he said, with such solemnity that I didn’t question it.
Jonas’s house was large, probably six bedrooms if I had to guess. But luck, if you can call it that, was on my side.
My prize was behind door number one: Charlotte, some guy I didn’t know, and a scene which, if I’d captured it via camera phone, could have been mistaken for porn, although that wouldn’t have been my artistic intention.
I cleared my throat. Charlotte cleared hers, though this required quite a bit of effort on her part. She looked horrified to see me there, in the doorway. Neither of us said anything. And then the guy cursed and zipped his jeans and demanded, “What the hell?”
“Ezra, I—I—,” Charlotte babbled. “I didn’t think you were coming.”
“I think he was about to,” I muttered sourly.
No one laughed.
“Who’s this?” The guy demanded, looking back and forth between Charlotte and me. He didn’t go to our school, and he gave the impression of being older, a college kid slumming it at a high-school party.
“I’m the boyfriend,” I said, but it came out uncertain, like a question.
“This is the guy?” he asked, squinting at me. “I could take him.”
So she’d been talking about me to this douche-canoodler? I supposed, if it came down to it, he probably could take me. I had a helluva backhand, but only with my racquet, not my fist.
“How about you take her instead?” I suggested, and then I turned and walked back down the hallway.
It might have been fine if Charlotte hadn’t come after me insisting that I still had to take her to prom on Saturday. It might have been all right if she hadn’t proceeded to do so in the middle of the crowded living room. And it might have been different if I hadn’t babied my car, parking all the way over on Windhawk to avoid the scourge of drunk drivers.
Maybe, if one of those things hadn’t happened, I wouldn’t have inched out onto the curve of Princeton Boulevard the exact moment a black SUV barrelled around the blind turn and blew through the stop sign.
I don’t know why people say “hit by a car,” as though the other vehicle physically lashes out like some sort of champion boxer. What hit me first was my airbag, and then my steering wheel, and I suppose the driver’s side door and whatever that part is called that your knee jams up against.
The impact was deafening, and everything just seemed to slam toward me and crunch. There was the stink of my engine dying under the front hood, like burnt rubber, but salty and metallic. Everyone rushed out onto the Beideckers’ front lawn, which was two houses down, and through the engine smoke, I could see an army of girls in strapless dresses, their phones raised, solemnly snapping pictures of the wreck.
But I just sat there laughing and unscathed because I’m an immortal, hundred-year-old vampire.
All right, I’m screwing with you. Because it would have been awesome if I’d been able to shake it off and drive away, like that ass weasel who never even stopped after laying into my Z4. If the whole party hadn’t cleared out in a panic before the cops could bust them for underage drinking. If Charlotte, or just one of my supposed friends, had stayed behind to ride with me in the ambulance, instead of leaving me there alone, half-delirious from the pain. If my mother hadn’t put on all of her best jewelry and gotten lipstick on her teeth before rushing to the emergency room.
It’s awful, isn’t it, how I remember crap like that? Tiny, insignificant details in the midst of a massive disaster.
I don’t really want to get into the rest of it, and I hope you’ll forgive me, but going through it once was enough. My poor roadster was totalled, just like everything else in my life. The doctors said my wrist would heal, but the damage to my leg was bad. My knee had been irreparably shattered. 
But this story isn’t about Toby’s twelfth birthday, or the car wreck at Jonas’s party—not really.
There is a type of problem in organic chemistry called a retrosynthesis. You are presented with a compound that does not occur in nature, and your job is to work backward, step by step, and ascertain how it came to exist—what sort of conditions led to its eventual creation. When you are finished, if done correctly, the equation can be read normally, making it impossible to distinguish the question from the answer.
I still think that everyone’s life, no matter how unremarkable, has a singular tragic encounter after which everything that really matters will happen. That moment is the catalyst—the first step in the equation. But knowing the first step will get you nowhere—it’s what comes after that determines the result.
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Severed Heads, Broken Hearts is published by Simon and Schuster in the UK on the 15th August 2013.
To find out more about Robyn Schneider:

Saturday 10 August 2013

The Write Way with Jane Lovering

I am so pleased to welcome one of Choc Lit’s amazing authors – Jane Lovering. Jane has kindly agreed to put herself under the spotlight, so that I can extract all her deepest writing secrets!
Jane Lovering
1)  I recently finished reading Hubble Bubble and loved it. From the books I’ve read of yours, I would describe your present style as ‘paranormal chick lit’. What would you call it? 
I call it ‘psychological romance – with jokes’.  I always consider that I’m writing about people, whatever the situations they find themselves in, so I don’t even really term my vampire books paranormal. They’re all just about people, doing what people do, driven by what drives people. All right, some of them are driven by big-dark-angsty-blood stuff, but still. Just people. Oh, and biscuits, they’re all really driven by the desire to get more biscuits in their lives.
And I’m not even sure about the Chick Lit thing. In my experience, such as it is, chick lit is a a bit...well...lighter, for want of a better word. And has more shoes in it. I tend to get termed ‘chick lit’ simply because I write first-person female perspective, but that doesn’t really make my stuff chick lit, does it?  And there isn’t much fretting about frocks or boyfriends or shoes, more just women trying to make a living, doing what they do and getting annoyed by things. Biscuits, mostly...
2) I see you have just signed a contract with Choc Lit for a second book in your Vampire State of Mind trilogy. Can you tell me a little bit about it? 
It’s called Falling Apart, and I’m smugly pleased about the title because it’s got a double meaning.  I don’t usually do double meanings, I’m more of a double-entendre girl, myself.  Anyway. Falling Apart because it’s got a lot of zombies in it, and they’re constantly having to stick things back on (in my Vampire universe it’s wise to have shares in UHU and Bostick, because they are really popular commodities) and also because my heroine has quite a lot to cope with personally in the book, and she doesn’t always manage terribly well.
Basically it’s about betrayal, about identity and self-knowledge. Oh, and fighting. And coffee. Also a phenomenal number of chocolate biscuits.. I’m beginning to sense a theme here, perhaps I’m starting a whole new genre ‘Crumb Lit’.  Anyway. Falling Apart features the same central cast of characters as were in Vampire State of Mind, the vampires Zan and Sil, my heroine Jess and her ‘sidekick’ Liam; it’s set about a month after the previous book and deals with some of the fall-out from that one, plus a whole new load of unpleasant stuff.  There’s quite a lot of running up and down too...oh, and the Veyron gets another outing...
3) Are you working on any other books as well as Falling Apart at the moment?
I’m polishing off my newest, which is called Starman, which is set on the local moors, and features an astrophysicist and a horse called Stan, plus getting started on the next book, I Don’t Want to Talk About It (no, no, I do, it’s just that’s what it’s called), which has graveyards, an old mill and, if that’s a bit gothic for you, a hobby horse called Light Bulb. They’re both ‘dark psychological romance, with jokes’ as well.
4) How would you describe your working relationship with your publisher, Choc Lit? 
I love being with Choc Lit! I mean, how many other publishers would let an author swing between Rom Com and Paranormal without having to change name, face and socks?  I love the fact that all their submissions have to go through a ‘reading panel’ before they’re signed up. It means that, when you get the thumbs-up on a book, it’s already been read by members of the public, so you’ve got a good idea what will work ‘out there’ in the big wide world of Reading Land.  It’s also nice to work for a company where all the authors know one another – it’s a great help during times of strife, we all pull together for each other. Plus, it means that there’s always someone ready with a handy biscuit and advice during edits...
5) Choc Lit are about to publish their first YA novel in August. Have you any plans to write for the YA market?
I wish I could! I’ve read a lot of YA books over the years, and still do, but it’s not a genre that my brain fits around, despite the fact that my house is full of Young Adults (I keep trying to get them to move out, but they won’t).  I could never write children’s stories when they were all small either.  I don’t know why. It’s like pony books, you’d think after all the messing about with ponies I’ve done over the years, I should be able to write those, but I can’t.
6) Do you find that the writing gets easier or harder with each book you publish?  
The writing itself is just as hard as ever; the physical act of sitting in the chair, putting down the current biscuit that occupies my time and picking up the keyboard – I still do everything I can to avoid that actual moment.  I even cleaned the kitchen once! Only once, mind you, I wouldn’t want anyone in the house to get the impression that freshly-washed dishes were an actual ‘thing’, but, even so... It was a low point for me, that was...
But in other ways, the actual ‘words’ get easier.  Because now I know what’s likely to be edited out, having gone through four lots of Choc Lit edits, I find I don’t put the stuff in in the first place now, so that makes life easier at the other end of the process.  
7) What usually comes first - the character, the plot or the idea when starting a new project? 
Usually the characters and the idea come together.  I’ll get a sort of ‘vision’ of a person (it’s usually my heroine, but sometimes the hero) who has something, a particular goal or lifestyle or feature that makes them worth writing about. That then suggests the plot, and other characters then get ‘attached to the project’ as they say in Hollywood Land. I’ve tried to break the process down for the purposes of explanation, but it’s nearly impossible, somehow the whole thing starts as a germ of an idea around which other things accrete until there’s a complete story.  Like a pearl forming in an oyster..oh, no, I used the ‘germ’ analogy, didn’t I?  More like a slightly runny nose turns into a full-blown cold, then. Only with less snot. Usually.
8) Do you have a daily word count that you aim for when writing your first draft? 
No.  Saying that, sometimes I do, but it’s pretty much just setting myself up for failure, so I try to write something every day but without making myself feel guilty. There’s this horrible thing called Real Life out there (a shock, I know, but try to deal with it...) where children need things.  I usually manage to ignore them, and they know better than to disturb me unless limbs are actually hanging off, or the dog has eaten dinner or something, but, even so, I find my time isn’t my own very often. So writing is done as and when. Although I do draw the line at housework.
9) Do you edit your first draft as you write it or wait until you have finished it? 
A bit of both. I try to write a fast, first draft, but I sometimes find that I’m physically unable to go any further until I just ‘tweak’ something that has become necessary as I’ve gone on. I’m getting better though.  Although sometimes... just sometimes... there is the urge to go back and check that the funny thing I wrote, which made me laugh when I wrote it, is still funny...
10) What’s the weirdest question you’ve ever been asked during an interview?
‘What’s your favourite kind of cheese?’  But that was my own fault, because I’d complained about interviews that never ask me anything off the wall.  It’s Wensleydale, if you were wondering. With apricots in.  Although I do have a grudging admiration for Stilton, and a healthy appreciation for a nice, ripe Brie.
11) Did you attend any writing courses before you were published?
I’d done a few writing classes, which were fun, and I was two years into my six-year Creative Writing degree when I got my first publishing contract.  All the classes were useful, and my degree was great for making me write things I would never have thought of doing (Life Writing is not really my ‘thing’, and neither is poetry, as I’m sure my tutor would agree).   
12) Is there any non-fiction writing book that you would recommend?
There are so many! Top of the list I’d probably say would be Stephen King’s On Writing, which is entertaining as well as educational.  But, yes, there are loads out there, and if anyone wants to get one, they should firstly check that it’s relevant to them – romance isn’t horror isn’t Sci Fi, and while most techniques are interchangeable, it’s always useful to be specific if you’re dead set on writing a particular genre. 
13) Do you have any advice for aspiring and unpublished authors? 
Write.  I always say this, I’m beginning to sound like a stuck record, but there are a lot of people out there who want to be ‘Writers’ without actually doing any Writing. They talk about writing and go to classes about writing and read How To books on writing, but they don’t actually, you know, write anything. To be a writer you must write. To be a successful writer you must write lots. To be a good writer you must throw away most of the writing you do...  To be a good, successful writer...well, you don’t have to be Stephen King, but it helps...
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Thanks Jane for being so easy to interview!
*hands over biscuits as payment*
Hubble Bubble is available now. If you want to know more about the book, please check out my review here.
To find out more about Jane Lovering:
To find out more about the brilliant books published by Choc Lit: